BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//The Dance Complex - ECPv6.18.0//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:The Dance Complex
X-ORIGINAL-URL:https://www.dancecomplex.org
X-WR-CALDESC:Events for The Dance Complex
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/New_York
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20250309T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20251102T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20260308T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20261101T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20270314T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20271107T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20280312T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20281105T060000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261028T111500
DTEND;TZID=America/New_York:20261028T124500
DTSTAMP:20260908T180101Z
CREATED:20260908T180101Z
LAST-MODIFIED:20260908T180101Z
UID:10030875-1793186100-1793191500@www.dancecomplex.org
SUMMARY:Intermediate/Advanced Ballet with Dean Vollick
DESCRIPTION:Class begins with a thorough set of exercises at the barre that last from 30 to 45 minutes. Centre practice follows\, and may consist of a battement tendu exercise\, a battement jeté exercise\, a grand battement exercise\, small and/or large adage\, stationary turns\, traveling turns\, and petite and grand allegro enchaînement (small and big jumps). Classes are structured so that the dancer warms up their feet\, legs\, hips and upper body gradually. As class progresses there are more changes of weight and eventually\, sudden changes of direction. Live music is provided by a pianist\, that ranges from classical pieces to selections from ballet repertoire to improvisational contemporary music. \nCost: $20 Single Class | $15.00 barre | 5-class package $90.00 \n*NEW* The Dance Complex requires ALL visitors to have a Membership\, Guest Pass\, or $5 Day Pass to access the building. \nPlease register in studio with the class assistant\nAccepted Payments: Cash\, Check\, Venmo \n\nWhat is the legacy of the genre/form/style you are teaching?\nBallet originated in the Italian Renaissance courts around 1500 as large balls or spectacles that were performed by members of the royal court. The French king\, Louis XIV\, created the first academy and the positions\, steps\, and movements of the ballet were collected and codified. The spectacles began to be performed by artists that were trained in the academy\, originally as part of an opera\, and later as ballets that told a story through music\, mime\, and dance. Over the centuries ballet has influenced folk dance styles of many (mainly European) nations and\, more recently\, has been influenced by folk\, modern\, and contemporary forms of dance from all countries. \nWhat background\, training\, and or relationship do you have with this style/technique/class subject?\nI had a professional dance career that spanned more than twenty years and included company work in both ballet and contemporary companies as well as dancing\, choreographing\, and teaching as a freelance artist. I returned to school to complete a two-year dance teaching diploma program at Canada’s National Ballet School. I trained extensively in the Vaganova and Royal Academy of Dance ballet training methods and had exposure to the Cecchetti and Balanchine methods of training. The program also included studies in human anatomy\, kinesiology\, and conditioning for dancers. Since moving to Boston in 2001\, I have become a certified Gyrotonic® and Gyrokinesis® instructor and those practices inform the way that I teach ballet. \nFinish this statement: I am passionate about teaching this style because…\nThere are always moments when all of the words\, steps\, and expectations disappear\, and dancers become one with the music\, and express themselves through movement. \nAccompanist\nDiran Heller \n\nContact Information\nContact Dean:\ndeanv@me.com | (617) 407-1266
URL:https://www.dancecomplex.org/event/intermediate-advanced-ballet-with-dean-vollick/2026-10-28/
LOCATION:Studio 3
CATEGORIES:Classes,Classes for Adults,Classes for Teens 16+
ATTACH;FMTTYPE=image/png:https://www.dancecomplex.org/wp-content/uploads/2026/02/16-9-TA-photos-for-website-dean-vollick.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261104T111500
DTEND;TZID=America/New_York:20261104T124500
DTSTAMP:20260908T180101Z
CREATED:20260908T180101Z
LAST-MODIFIED:20260908T180101Z
UID:10030876-1793790900-1793796300@www.dancecomplex.org
SUMMARY:Intermediate/Advanced Ballet with Dean Vollick
DESCRIPTION:Class begins with a thorough set of exercises at the barre that last from 30 to 45 minutes. Centre practice follows\, and may consist of a battement tendu exercise\, a battement jeté exercise\, a grand battement exercise\, small and/or large adage\, stationary turns\, traveling turns\, and petite and grand allegro enchaînement (small and big jumps). Classes are structured so that the dancer warms up their feet\, legs\, hips and upper body gradually. As class progresses there are more changes of weight and eventually\, sudden changes of direction. Live music is provided by a pianist\, that ranges from classical pieces to selections from ballet repertoire to improvisational contemporary music. \nCost: $20 Single Class | $15.00 barre | 5-class package $90.00 \n*NEW* The Dance Complex requires ALL visitors to have a Membership\, Guest Pass\, or $5 Day Pass to access the building. \nPlease register in studio with the class assistant\nAccepted Payments: Cash\, Check\, Venmo \n\nWhat is the legacy of the genre/form/style you are teaching?\nBallet originated in the Italian Renaissance courts around 1500 as large balls or spectacles that were performed by members of the royal court. The French king\, Louis XIV\, created the first academy and the positions\, steps\, and movements of the ballet were collected and codified. The spectacles began to be performed by artists that were trained in the academy\, originally as part of an opera\, and later as ballets that told a story through music\, mime\, and dance. Over the centuries ballet has influenced folk dance styles of many (mainly European) nations and\, more recently\, has been influenced by folk\, modern\, and contemporary forms of dance from all countries. \nWhat background\, training\, and or relationship do you have with this style/technique/class subject?\nI had a professional dance career that spanned more than twenty years and included company work in both ballet and contemporary companies as well as dancing\, choreographing\, and teaching as a freelance artist. I returned to school to complete a two-year dance teaching diploma program at Canada’s National Ballet School. I trained extensively in the Vaganova and Royal Academy of Dance ballet training methods and had exposure to the Cecchetti and Balanchine methods of training. The program also included studies in human anatomy\, kinesiology\, and conditioning for dancers. Since moving to Boston in 2001\, I have become a certified Gyrotonic® and Gyrokinesis® instructor and those practices inform the way that I teach ballet. \nFinish this statement: I am passionate about teaching this style because…\nThere are always moments when all of the words\, steps\, and expectations disappear\, and dancers become one with the music\, and express themselves through movement. \nAccompanist\nDiran Heller \n\nContact Information\nContact Dean:\ndeanv@me.com | (617) 407-1266
URL:https://www.dancecomplex.org/event/intermediate-advanced-ballet-with-dean-vollick/2026-11-04/
LOCATION:Studio 3
CATEGORIES:Classes,Classes for Adults,Classes for Teens 16+
ATTACH;FMTTYPE=image/png:https://www.dancecomplex.org/wp-content/uploads/2026/02/16-9-TA-photos-for-website-dean-vollick.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261111T111500
DTEND;TZID=America/New_York:20261111T124500
DTSTAMP:20260908T180101Z
CREATED:20260908T180101Z
LAST-MODIFIED:20260908T180101Z
UID:10030877-1794395700-1794401100@www.dancecomplex.org
SUMMARY:Intermediate/Advanced Ballet with Dean Vollick
DESCRIPTION:Class begins with a thorough set of exercises at the barre that last from 30 to 45 minutes. Centre practice follows\, and may consist of a battement tendu exercise\, a battement jeté exercise\, a grand battement exercise\, small and/or large adage\, stationary turns\, traveling turns\, and petite and grand allegro enchaînement (small and big jumps). Classes are structured so that the dancer warms up their feet\, legs\, hips and upper body gradually. As class progresses there are more changes of weight and eventually\, sudden changes of direction. Live music is provided by a pianist\, that ranges from classical pieces to selections from ballet repertoire to improvisational contemporary music. \nCost: $20 Single Class | $15.00 barre | 5-class package $90.00 \n*NEW* The Dance Complex requires ALL visitors to have a Membership\, Guest Pass\, or $5 Day Pass to access the building. \nPlease register in studio with the class assistant\nAccepted Payments: Cash\, Check\, Venmo \n\nWhat is the legacy of the genre/form/style you are teaching?\nBallet originated in the Italian Renaissance courts around 1500 as large balls or spectacles that were performed by members of the royal court. The French king\, Louis XIV\, created the first academy and the positions\, steps\, and movements of the ballet were collected and codified. The spectacles began to be performed by artists that were trained in the academy\, originally as part of an opera\, and later as ballets that told a story through music\, mime\, and dance. Over the centuries ballet has influenced folk dance styles of many (mainly European) nations and\, more recently\, has been influenced by folk\, modern\, and contemporary forms of dance from all countries. \nWhat background\, training\, and or relationship do you have with this style/technique/class subject?\nI had a professional dance career that spanned more than twenty years and included company work in both ballet and contemporary companies as well as dancing\, choreographing\, and teaching as a freelance artist. I returned to school to complete a two-year dance teaching diploma program at Canada’s National Ballet School. I trained extensively in the Vaganova and Royal Academy of Dance ballet training methods and had exposure to the Cecchetti and Balanchine methods of training. The program also included studies in human anatomy\, kinesiology\, and conditioning for dancers. Since moving to Boston in 2001\, I have become a certified Gyrotonic® and Gyrokinesis® instructor and those practices inform the way that I teach ballet. \nFinish this statement: I am passionate about teaching this style because…\nThere are always moments when all of the words\, steps\, and expectations disappear\, and dancers become one with the music\, and express themselves through movement. \nAccompanist\nDiran Heller \n\nContact Information\nContact Dean:\ndeanv@me.com | (617) 407-1266
URL:https://www.dancecomplex.org/event/intermediate-advanced-ballet-with-dean-vollick/2026-11-11/
LOCATION:Studio 3
CATEGORIES:Classes,Classes for Adults,Classes for Teens 16+
ATTACH;FMTTYPE=image/png:https://www.dancecomplex.org/wp-content/uploads/2026/02/16-9-TA-photos-for-website-dean-vollick.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261118T111500
DTEND;TZID=America/New_York:20261118T124500
DTSTAMP:20260908T180101Z
CREATED:20260908T180101Z
LAST-MODIFIED:20260908T180101Z
UID:10030878-1795000500-1795005900@www.dancecomplex.org
SUMMARY:Intermediate/Advanced Ballet with Dean Vollick
DESCRIPTION:Class begins with a thorough set of exercises at the barre that last from 30 to 45 minutes. Centre practice follows\, and may consist of a battement tendu exercise\, a battement jeté exercise\, a grand battement exercise\, small and/or large adage\, stationary turns\, traveling turns\, and petite and grand allegro enchaînement (small and big jumps). Classes are structured so that the dancer warms up their feet\, legs\, hips and upper body gradually. As class progresses there are more changes of weight and eventually\, sudden changes of direction. Live music is provided by a pianist\, that ranges from classical pieces to selections from ballet repertoire to improvisational contemporary music. \nCost: $20 Single Class | $15.00 barre | 5-class package $90.00 \n*NEW* The Dance Complex requires ALL visitors to have a Membership\, Guest Pass\, or $5 Day Pass to access the building. \nPlease register in studio with the class assistant\nAccepted Payments: Cash\, Check\, Venmo \n\nWhat is the legacy of the genre/form/style you are teaching?\nBallet originated in the Italian Renaissance courts around 1500 as large balls or spectacles that were performed by members of the royal court. The French king\, Louis XIV\, created the first academy and the positions\, steps\, and movements of the ballet were collected and codified. The spectacles began to be performed by artists that were trained in the academy\, originally as part of an opera\, and later as ballets that told a story through music\, mime\, and dance. Over the centuries ballet has influenced folk dance styles of many (mainly European) nations and\, more recently\, has been influenced by folk\, modern\, and contemporary forms of dance from all countries. \nWhat background\, training\, and or relationship do you have with this style/technique/class subject?\nI had a professional dance career that spanned more than twenty years and included company work in both ballet and contemporary companies as well as dancing\, choreographing\, and teaching as a freelance artist. I returned to school to complete a two-year dance teaching diploma program at Canada’s National Ballet School. I trained extensively in the Vaganova and Royal Academy of Dance ballet training methods and had exposure to the Cecchetti and Balanchine methods of training. The program also included studies in human anatomy\, kinesiology\, and conditioning for dancers. Since moving to Boston in 2001\, I have become a certified Gyrotonic® and Gyrokinesis® instructor and those practices inform the way that I teach ballet. \nFinish this statement: I am passionate about teaching this style because…\nThere are always moments when all of the words\, steps\, and expectations disappear\, and dancers become one with the music\, and express themselves through movement. \nAccompanist\nDiran Heller \n\nContact Information\nContact Dean:\ndeanv@me.com | (617) 407-1266
URL:https://www.dancecomplex.org/event/intermediate-advanced-ballet-with-dean-vollick/2026-11-18/
LOCATION:Studio 3
CATEGORIES:Classes,Classes for Adults,Classes for Teens 16+
ATTACH;FMTTYPE=image/png:https://www.dancecomplex.org/wp-content/uploads/2026/02/16-9-TA-photos-for-website-dean-vollick.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261125T111500
DTEND;TZID=America/New_York:20261125T124500
DTSTAMP:20260908T180101Z
CREATED:20260908T180101Z
LAST-MODIFIED:20260908T180101Z
UID:10030879-1795605300-1795610700@www.dancecomplex.org
SUMMARY:Intermediate/Advanced Ballet with Dean Vollick
DESCRIPTION:Class begins with a thorough set of exercises at the barre that last from 30 to 45 minutes. Centre practice follows\, and may consist of a battement tendu exercise\, a battement jeté exercise\, a grand battement exercise\, small and/or large adage\, stationary turns\, traveling turns\, and petite and grand allegro enchaînement (small and big jumps). Classes are structured so that the dancer warms up their feet\, legs\, hips and upper body gradually. As class progresses there are more changes of weight and eventually\, sudden changes of direction. Live music is provided by a pianist\, that ranges from classical pieces to selections from ballet repertoire to improvisational contemporary music. \nCost: $20 Single Class | $15.00 barre | 5-class package $90.00 \n*NEW* The Dance Complex requires ALL visitors to have a Membership\, Guest Pass\, or $5 Day Pass to access the building. \nPlease register in studio with the class assistant\nAccepted Payments: Cash\, Check\, Venmo \n\nWhat is the legacy of the genre/form/style you are teaching?\nBallet originated in the Italian Renaissance courts around 1500 as large balls or spectacles that were performed by members of the royal court. The French king\, Louis XIV\, created the first academy and the positions\, steps\, and movements of the ballet were collected and codified. The spectacles began to be performed by artists that were trained in the academy\, originally as part of an opera\, and later as ballets that told a story through music\, mime\, and dance. Over the centuries ballet has influenced folk dance styles of many (mainly European) nations and\, more recently\, has been influenced by folk\, modern\, and contemporary forms of dance from all countries. \nWhat background\, training\, and or relationship do you have with this style/technique/class subject?\nI had a professional dance career that spanned more than twenty years and included company work in both ballet and contemporary companies as well as dancing\, choreographing\, and teaching as a freelance artist. I returned to school to complete a two-year dance teaching diploma program at Canada’s National Ballet School. I trained extensively in the Vaganova and Royal Academy of Dance ballet training methods and had exposure to the Cecchetti and Balanchine methods of training. The program also included studies in human anatomy\, kinesiology\, and conditioning for dancers. Since moving to Boston in 2001\, I have become a certified Gyrotonic® and Gyrokinesis® instructor and those practices inform the way that I teach ballet. \nFinish this statement: I am passionate about teaching this style because…\nThere are always moments when all of the words\, steps\, and expectations disappear\, and dancers become one with the music\, and express themselves through movement. \nAccompanist\nDiran Heller \n\nContact Information\nContact Dean:\ndeanv@me.com | (617) 407-1266
URL:https://www.dancecomplex.org/event/intermediate-advanced-ballet-with-dean-vollick/2026-11-25/
LOCATION:Studio 3
CATEGORIES:Classes,Classes for Adults,Classes for Teens 16+
ATTACH;FMTTYPE=image/png:https://www.dancecomplex.org/wp-content/uploads/2026/02/16-9-TA-photos-for-website-dean-vollick.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261202T111500
DTEND;TZID=America/New_York:20261202T124500
DTSTAMP:20260908T180101Z
CREATED:20260908T180101Z
LAST-MODIFIED:20260908T180101Z
UID:10030880-1796210100-1796215500@www.dancecomplex.org
SUMMARY:Intermediate/Advanced Ballet with Dean Vollick
DESCRIPTION:Class begins with a thorough set of exercises at the barre that last from 30 to 45 minutes. Centre practice follows\, and may consist of a battement tendu exercise\, a battement jeté exercise\, a grand battement exercise\, small and/or large adage\, stationary turns\, traveling turns\, and petite and grand allegro enchaînement (small and big jumps). Classes are structured so that the dancer warms up their feet\, legs\, hips and upper body gradually. As class progresses there are more changes of weight and eventually\, sudden changes of direction. Live music is provided by a pianist\, that ranges from classical pieces to selections from ballet repertoire to improvisational contemporary music. \nCost: $20 Single Class | $15.00 barre | 5-class package $90.00 \n*NEW* The Dance Complex requires ALL visitors to have a Membership\, Guest Pass\, or $5 Day Pass to access the building. \nPlease register in studio with the class assistant\nAccepted Payments: Cash\, Check\, Venmo \n\nWhat is the legacy of the genre/form/style you are teaching?\nBallet originated in the Italian Renaissance courts around 1500 as large balls or spectacles that were performed by members of the royal court. The French king\, Louis XIV\, created the first academy and the positions\, steps\, and movements of the ballet were collected and codified. The spectacles began to be performed by artists that were trained in the academy\, originally as part of an opera\, and later as ballets that told a story through music\, mime\, and dance. Over the centuries ballet has influenced folk dance styles of many (mainly European) nations and\, more recently\, has been influenced by folk\, modern\, and contemporary forms of dance from all countries. \nWhat background\, training\, and or relationship do you have with this style/technique/class subject?\nI had a professional dance career that spanned more than twenty years and included company work in both ballet and contemporary companies as well as dancing\, choreographing\, and teaching as a freelance artist. I returned to school to complete a two-year dance teaching diploma program at Canada’s National Ballet School. I trained extensively in the Vaganova and Royal Academy of Dance ballet training methods and had exposure to the Cecchetti and Balanchine methods of training. The program also included studies in human anatomy\, kinesiology\, and conditioning for dancers. Since moving to Boston in 2001\, I have become a certified Gyrotonic® and Gyrokinesis® instructor and those practices inform the way that I teach ballet. \nFinish this statement: I am passionate about teaching this style because…\nThere are always moments when all of the words\, steps\, and expectations disappear\, and dancers become one with the music\, and express themselves through movement. \nAccompanist\nDiran Heller \n\nContact Information\nContact Dean:\ndeanv@me.com | (617) 407-1266
URL:https://www.dancecomplex.org/event/intermediate-advanced-ballet-with-dean-vollick/2026-12-02/
LOCATION:Studio 3
CATEGORIES:Classes,Classes for Adults,Classes for Teens 16+
ATTACH;FMTTYPE=image/png:https://www.dancecomplex.org/wp-content/uploads/2026/02/16-9-TA-photos-for-website-dean-vollick.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261209T111500
DTEND;TZID=America/New_York:20261209T124500
DTSTAMP:20260908T180101Z
CREATED:20260908T180101Z
LAST-MODIFIED:20260908T180101Z
UID:10030881-1796814900-1796820300@www.dancecomplex.org
SUMMARY:Intermediate/Advanced Ballet with Dean Vollick
DESCRIPTION:Class begins with a thorough set of exercises at the barre that last from 30 to 45 minutes. Centre practice follows\, and may consist of a battement tendu exercise\, a battement jeté exercise\, a grand battement exercise\, small and/or large adage\, stationary turns\, traveling turns\, and petite and grand allegro enchaînement (small and big jumps). Classes are structured so that the dancer warms up their feet\, legs\, hips and upper body gradually. As class progresses there are more changes of weight and eventually\, sudden changes of direction. Live music is provided by a pianist\, that ranges from classical pieces to selections from ballet repertoire to improvisational contemporary music. \nCost: $20 Single Class | $15.00 barre | 5-class package $90.00 \n*NEW* The Dance Complex requires ALL visitors to have a Membership\, Guest Pass\, or $5 Day Pass to access the building. \nPlease register in studio with the class assistant\nAccepted Payments: Cash\, Check\, Venmo \n\nWhat is the legacy of the genre/form/style you are teaching?\nBallet originated in the Italian Renaissance courts around 1500 as large balls or spectacles that were performed by members of the royal court. The French king\, Louis XIV\, created the first academy and the positions\, steps\, and movements of the ballet were collected and codified. The spectacles began to be performed by artists that were trained in the academy\, originally as part of an opera\, and later as ballets that told a story through music\, mime\, and dance. Over the centuries ballet has influenced folk dance styles of many (mainly European) nations and\, more recently\, has been influenced by folk\, modern\, and contemporary forms of dance from all countries. \nWhat background\, training\, and or relationship do you have with this style/technique/class subject?\nI had a professional dance career that spanned more than twenty years and included company work in both ballet and contemporary companies as well as dancing\, choreographing\, and teaching as a freelance artist. I returned to school to complete a two-year dance teaching diploma program at Canada’s National Ballet School. I trained extensively in the Vaganova and Royal Academy of Dance ballet training methods and had exposure to the Cecchetti and Balanchine methods of training. The program also included studies in human anatomy\, kinesiology\, and conditioning for dancers. Since moving to Boston in 2001\, I have become a certified Gyrotonic® and Gyrokinesis® instructor and those practices inform the way that I teach ballet. \nFinish this statement: I am passionate about teaching this style because…\nThere are always moments when all of the words\, steps\, and expectations disappear\, and dancers become one with the music\, and express themselves through movement. \nAccompanist\nDiran Heller \n\nContact Information\nContact Dean:\ndeanv@me.com | (617) 407-1266
URL:https://www.dancecomplex.org/event/intermediate-advanced-ballet-with-dean-vollick/2026-12-09/
LOCATION:Studio 3
CATEGORIES:Classes,Classes for Adults,Classes for Teens 16+
ATTACH;FMTTYPE=image/png:https://www.dancecomplex.org/wp-content/uploads/2026/02/16-9-TA-photos-for-website-dean-vollick.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261216T111500
DTEND;TZID=America/New_York:20261216T124500
DTSTAMP:20260908T180101Z
CREATED:20260908T180101Z
LAST-MODIFIED:20260908T180101Z
UID:10030882-1797419700-1797425100@www.dancecomplex.org
SUMMARY:Intermediate/Advanced Ballet with Dean Vollick
DESCRIPTION:Class begins with a thorough set of exercises at the barre that last from 30 to 45 minutes. Centre practice follows\, and may consist of a battement tendu exercise\, a battement jeté exercise\, a grand battement exercise\, small and/or large adage\, stationary turns\, traveling turns\, and petite and grand allegro enchaînement (small and big jumps). Classes are structured so that the dancer warms up their feet\, legs\, hips and upper body gradually. As class progresses there are more changes of weight and eventually\, sudden changes of direction. Live music is provided by a pianist\, that ranges from classical pieces to selections from ballet repertoire to improvisational contemporary music. \nCost: $20 Single Class | $15.00 barre | 5-class package $90.00 \n*NEW* The Dance Complex requires ALL visitors to have a Membership\, Guest Pass\, or $5 Day Pass to access the building. \nPlease register in studio with the class assistant\nAccepted Payments: Cash\, Check\, Venmo \n\nWhat is the legacy of the genre/form/style you are teaching?\nBallet originated in the Italian Renaissance courts around 1500 as large balls or spectacles that were performed by members of the royal court. The French king\, Louis XIV\, created the first academy and the positions\, steps\, and movements of the ballet were collected and codified. The spectacles began to be performed by artists that were trained in the academy\, originally as part of an opera\, and later as ballets that told a story through music\, mime\, and dance. Over the centuries ballet has influenced folk dance styles of many (mainly European) nations and\, more recently\, has been influenced by folk\, modern\, and contemporary forms of dance from all countries. \nWhat background\, training\, and or relationship do you have with this style/technique/class subject?\nI had a professional dance career that spanned more than twenty years and included company work in both ballet and contemporary companies as well as dancing\, choreographing\, and teaching as a freelance artist. I returned to school to complete a two-year dance teaching diploma program at Canada’s National Ballet School. I trained extensively in the Vaganova and Royal Academy of Dance ballet training methods and had exposure to the Cecchetti and Balanchine methods of training. The program also included studies in human anatomy\, kinesiology\, and conditioning for dancers. Since moving to Boston in 2001\, I have become a certified Gyrotonic® and Gyrokinesis® instructor and those practices inform the way that I teach ballet. \nFinish this statement: I am passionate about teaching this style because…\nThere are always moments when all of the words\, steps\, and expectations disappear\, and dancers become one with the music\, and express themselves through movement. \nAccompanist\nDiran Heller \n\nContact Information\nContact Dean:\ndeanv@me.com | (617) 407-1266
URL:https://www.dancecomplex.org/event/intermediate-advanced-ballet-with-dean-vollick/2026-12-16/
LOCATION:Studio 3
CATEGORIES:Classes,Classes for Adults,Classes for Teens 16+
ATTACH;FMTTYPE=image/png:https://www.dancecomplex.org/wp-content/uploads/2026/02/16-9-TA-photos-for-website-dean-vollick.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261223T111500
DTEND;TZID=America/New_York:20261223T124500
DTSTAMP:20260908T180101Z
CREATED:20260908T180101Z
LAST-MODIFIED:20260908T180101Z
UID:10030883-1798024500-1798029900@www.dancecomplex.org
SUMMARY:Intermediate/Advanced Ballet with Dean Vollick
DESCRIPTION:Class begins with a thorough set of exercises at the barre that last from 30 to 45 minutes. Centre practice follows\, and may consist of a battement tendu exercise\, a battement jeté exercise\, a grand battement exercise\, small and/or large adage\, stationary turns\, traveling turns\, and petite and grand allegro enchaînement (small and big jumps). Classes are structured so that the dancer warms up their feet\, legs\, hips and upper body gradually. As class progresses there are more changes of weight and eventually\, sudden changes of direction. Live music is provided by a pianist\, that ranges from classical pieces to selections from ballet repertoire to improvisational contemporary music. \nCost: $20 Single Class | $15.00 barre | 5-class package $90.00 \n*NEW* The Dance Complex requires ALL visitors to have a Membership\, Guest Pass\, or $5 Day Pass to access the building. \nPlease register in studio with the class assistant\nAccepted Payments: Cash\, Check\, Venmo \n\nWhat is the legacy of the genre/form/style you are teaching?\nBallet originated in the Italian Renaissance courts around 1500 as large balls or spectacles that were performed by members of the royal court. The French king\, Louis XIV\, created the first academy and the positions\, steps\, and movements of the ballet were collected and codified. The spectacles began to be performed by artists that were trained in the academy\, originally as part of an opera\, and later as ballets that told a story through music\, mime\, and dance. Over the centuries ballet has influenced folk dance styles of many (mainly European) nations and\, more recently\, has been influenced by folk\, modern\, and contemporary forms of dance from all countries. \nWhat background\, training\, and or relationship do you have with this style/technique/class subject?\nI had a professional dance career that spanned more than twenty years and included company work in both ballet and contemporary companies as well as dancing\, choreographing\, and teaching as a freelance artist. I returned to school to complete a two-year dance teaching diploma program at Canada’s National Ballet School. I trained extensively in the Vaganova and Royal Academy of Dance ballet training methods and had exposure to the Cecchetti and Balanchine methods of training. The program also included studies in human anatomy\, kinesiology\, and conditioning for dancers. Since moving to Boston in 2001\, I have become a certified Gyrotonic® and Gyrokinesis® instructor and those practices inform the way that I teach ballet. \nFinish this statement: I am passionate about teaching this style because…\nThere are always moments when all of the words\, steps\, and expectations disappear\, and dancers become one with the music\, and express themselves through movement. \nAccompanist\nDiran Heller \n\nContact Information\nContact Dean:\ndeanv@me.com | (617) 407-1266
URL:https://www.dancecomplex.org/event/intermediate-advanced-ballet-with-dean-vollick/2026-12-23/
LOCATION:Studio 3
CATEGORIES:Classes,Classes for Adults,Classes for Teens 16+
ATTACH;FMTTYPE=image/png:https://www.dancecomplex.org/wp-content/uploads/2026/02/16-9-TA-photos-for-website-dean-vollick.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261230T111500
DTEND;TZID=America/New_York:20261230T124500
DTSTAMP:20260908T180101Z
CREATED:20260908T180101Z
LAST-MODIFIED:20260908T180101Z
UID:10030884-1798629300-1798634700@www.dancecomplex.org
SUMMARY:Intermediate/Advanced Ballet with Dean Vollick
DESCRIPTION:Class begins with a thorough set of exercises at the barre that last from 30 to 45 minutes. Centre practice follows\, and may consist of a battement tendu exercise\, a battement jeté exercise\, a grand battement exercise\, small and/or large adage\, stationary turns\, traveling turns\, and petite and grand allegro enchaînement (small and big jumps). Classes are structured so that the dancer warms up their feet\, legs\, hips and upper body gradually. As class progresses there are more changes of weight and eventually\, sudden changes of direction. Live music is provided by a pianist\, that ranges from classical pieces to selections from ballet repertoire to improvisational contemporary music. \nCost: $20 Single Class | $15.00 barre | 5-class package $90.00 \n*NEW* The Dance Complex requires ALL visitors to have a Membership\, Guest Pass\, or $5 Day Pass to access the building. \nPlease register in studio with the class assistant\nAccepted Payments: Cash\, Check\, Venmo \n\nWhat is the legacy of the genre/form/style you are teaching?\nBallet originated in the Italian Renaissance courts around 1500 as large balls or spectacles that were performed by members of the royal court. The French king\, Louis XIV\, created the first academy and the positions\, steps\, and movements of the ballet were collected and codified. The spectacles began to be performed by artists that were trained in the academy\, originally as part of an opera\, and later as ballets that told a story through music\, mime\, and dance. Over the centuries ballet has influenced folk dance styles of many (mainly European) nations and\, more recently\, has been influenced by folk\, modern\, and contemporary forms of dance from all countries. \nWhat background\, training\, and or relationship do you have with this style/technique/class subject?\nI had a professional dance career that spanned more than twenty years and included company work in both ballet and contemporary companies as well as dancing\, choreographing\, and teaching as a freelance artist. I returned to school to complete a two-year dance teaching diploma program at Canada’s National Ballet School. I trained extensively in the Vaganova and Royal Academy of Dance ballet training methods and had exposure to the Cecchetti and Balanchine methods of training. The program also included studies in human anatomy\, kinesiology\, and conditioning for dancers. Since moving to Boston in 2001\, I have become a certified Gyrotonic® and Gyrokinesis® instructor and those practices inform the way that I teach ballet. \nFinish this statement: I am passionate about teaching this style because…\nThere are always moments when all of the words\, steps\, and expectations disappear\, and dancers become one with the music\, and express themselves through movement. \nAccompanist\nDiran Heller \n\nContact Information\nContact Dean:\ndeanv@me.com | (617) 407-1266
URL:https://www.dancecomplex.org/event/intermediate-advanced-ballet-with-dean-vollick/2026-12-30/
LOCATION:Studio 3
CATEGORIES:Classes,Classes for Adults,Classes for Teens 16+
ATTACH;FMTTYPE=image/png:https://www.dancecomplex.org/wp-content/uploads/2026/02/16-9-TA-photos-for-website-dean-vollick.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270106T111500
DTEND;TZID=America/New_York:20270106T124500
DTSTAMP:20260908T180101Z
CREATED:20260908T180101Z
LAST-MODIFIED:20260908T180101Z
UID:10030885-1799234100-1799239500@www.dancecomplex.org
SUMMARY:Intermediate/Advanced Ballet with Dean Vollick
DESCRIPTION:Class begins with a thorough set of exercises at the barre that last from 30 to 45 minutes. Centre practice follows\, and may consist of a battement tendu exercise\, a battement jeté exercise\, a grand battement exercise\, small and/or large adage\, stationary turns\, traveling turns\, and petite and grand allegro enchaînement (small and big jumps). Classes are structured so that the dancer warms up their feet\, legs\, hips and upper body gradually. As class progresses there are more changes of weight and eventually\, sudden changes of direction. Live music is provided by a pianist\, that ranges from classical pieces to selections from ballet repertoire to improvisational contemporary music. \nCost: $20 Single Class | $15.00 barre | 5-class package $90.00 \n*NEW* The Dance Complex requires ALL visitors to have a Membership\, Guest Pass\, or $5 Day Pass to access the building. \nPlease register in studio with the class assistant\nAccepted Payments: Cash\, Check\, Venmo \n\nWhat is the legacy of the genre/form/style you are teaching?\nBallet originated in the Italian Renaissance courts around 1500 as large balls or spectacles that were performed by members of the royal court. The French king\, Louis XIV\, created the first academy and the positions\, steps\, and movements of the ballet were collected and codified. The spectacles began to be performed by artists that were trained in the academy\, originally as part of an opera\, and later as ballets that told a story through music\, mime\, and dance. Over the centuries ballet has influenced folk dance styles of many (mainly European) nations and\, more recently\, has been influenced by folk\, modern\, and contemporary forms of dance from all countries. \nWhat background\, training\, and or relationship do you have with this style/technique/class subject?\nI had a professional dance career that spanned more than twenty years and included company work in both ballet and contemporary companies as well as dancing\, choreographing\, and teaching as a freelance artist. I returned to school to complete a two-year dance teaching diploma program at Canada’s National Ballet School. I trained extensively in the Vaganova and Royal Academy of Dance ballet training methods and had exposure to the Cecchetti and Balanchine methods of training. The program also included studies in human anatomy\, kinesiology\, and conditioning for dancers. Since moving to Boston in 2001\, I have become a certified Gyrotonic® and Gyrokinesis® instructor and those practices inform the way that I teach ballet. \nFinish this statement: I am passionate about teaching this style because…\nThere are always moments when all of the words\, steps\, and expectations disappear\, and dancers become one with the music\, and express themselves through movement. \nAccompanist\nDiran Heller \n\nContact Information\nContact Dean:\ndeanv@me.com | (617) 407-1266
URL:https://www.dancecomplex.org/event/intermediate-advanced-ballet-with-dean-vollick/2027-01-06/
LOCATION:Studio 3
CATEGORIES:Classes,Classes for Adults,Classes for Teens 16+
ATTACH;FMTTYPE=image/png:https://www.dancecomplex.org/wp-content/uploads/2026/02/16-9-TA-photos-for-website-dean-vollick.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270113T111500
DTEND;TZID=America/New_York:20270113T124500
DTSTAMP:20260908T180101Z
CREATED:20260908T180101Z
LAST-MODIFIED:20260908T180101Z
UID:10030886-1799838900-1799844300@www.dancecomplex.org
SUMMARY:Intermediate/Advanced Ballet with Dean Vollick
DESCRIPTION:Class begins with a thorough set of exercises at the barre that last from 30 to 45 minutes. Centre practice follows\, and may consist of a battement tendu exercise\, a battement jeté exercise\, a grand battement exercise\, small and/or large adage\, stationary turns\, traveling turns\, and petite and grand allegro enchaînement (small and big jumps). Classes are structured so that the dancer warms up their feet\, legs\, hips and upper body gradually. As class progresses there are more changes of weight and eventually\, sudden changes of direction. Live music is provided by a pianist\, that ranges from classical pieces to selections from ballet repertoire to improvisational contemporary music. \nCost: $20 Single Class | $15.00 barre | 5-class package $90.00 \n*NEW* The Dance Complex requires ALL visitors to have a Membership\, Guest Pass\, or $5 Day Pass to access the building. \nPlease register in studio with the class assistant\nAccepted Payments: Cash\, Check\, Venmo \n\nWhat is the legacy of the genre/form/style you are teaching?\nBallet originated in the Italian Renaissance courts around 1500 as large balls or spectacles that were performed by members of the royal court. The French king\, Louis XIV\, created the first academy and the positions\, steps\, and movements of the ballet were collected and codified. The spectacles began to be performed by artists that were trained in the academy\, originally as part of an opera\, and later as ballets that told a story through music\, mime\, and dance. Over the centuries ballet has influenced folk dance styles of many (mainly European) nations and\, more recently\, has been influenced by folk\, modern\, and contemporary forms of dance from all countries. \nWhat background\, training\, and or relationship do you have with this style/technique/class subject?\nI had a professional dance career that spanned more than twenty years and included company work in both ballet and contemporary companies as well as dancing\, choreographing\, and teaching as a freelance artist. I returned to school to complete a two-year dance teaching diploma program at Canada’s National Ballet School. I trained extensively in the Vaganova and Royal Academy of Dance ballet training methods and had exposure to the Cecchetti and Balanchine methods of training. The program also included studies in human anatomy\, kinesiology\, and conditioning for dancers. Since moving to Boston in 2001\, I have become a certified Gyrotonic® and Gyrokinesis® instructor and those practices inform the way that I teach ballet. \nFinish this statement: I am passionate about teaching this style because…\nThere are always moments when all of the words\, steps\, and expectations disappear\, and dancers become one with the music\, and express themselves through movement. \nAccompanist\nDiran Heller \n\nContact Information\nContact Dean:\ndeanv@me.com | (617) 407-1266
URL:https://www.dancecomplex.org/event/intermediate-advanced-ballet-with-dean-vollick/2027-01-13/
LOCATION:Studio 3
CATEGORIES:Classes,Classes for Adults,Classes for Teens 16+
ATTACH;FMTTYPE=image/png:https://www.dancecomplex.org/wp-content/uploads/2026/02/16-9-TA-photos-for-website-dean-vollick.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270120T111500
DTEND;TZID=America/New_York:20270120T124500
DTSTAMP:20260908T180101Z
CREATED:20260908T180101Z
LAST-MODIFIED:20260908T180101Z
UID:10030887-1800443700-1800449100@www.dancecomplex.org
SUMMARY:Intermediate/Advanced Ballet with Dean Vollick
DESCRIPTION:Class begins with a thorough set of exercises at the barre that last from 30 to 45 minutes. Centre practice follows\, and may consist of a battement tendu exercise\, a battement jeté exercise\, a grand battement exercise\, small and/or large adage\, stationary turns\, traveling turns\, and petite and grand allegro enchaînement (small and big jumps). Classes are structured so that the dancer warms up their feet\, legs\, hips and upper body gradually. As class progresses there are more changes of weight and eventually\, sudden changes of direction. Live music is provided by a pianist\, that ranges from classical pieces to selections from ballet repertoire to improvisational contemporary music. \nCost: $20 Single Class | $15.00 barre | 5-class package $90.00 \n*NEW* The Dance Complex requires ALL visitors to have a Membership\, Guest Pass\, or $5 Day Pass to access the building. \nPlease register in studio with the class assistant\nAccepted Payments: Cash\, Check\, Venmo \n\nWhat is the legacy of the genre/form/style you are teaching?\nBallet originated in the Italian Renaissance courts around 1500 as large balls or spectacles that were performed by members of the royal court. The French king\, Louis XIV\, created the first academy and the positions\, steps\, and movements of the ballet were collected and codified. The spectacles began to be performed by artists that were trained in the academy\, originally as part of an opera\, and later as ballets that told a story through music\, mime\, and dance. Over the centuries ballet has influenced folk dance styles of many (mainly European) nations and\, more recently\, has been influenced by folk\, modern\, and contemporary forms of dance from all countries. \nWhat background\, training\, and or relationship do you have with this style/technique/class subject?\nI had a professional dance career that spanned more than twenty years and included company work in both ballet and contemporary companies as well as dancing\, choreographing\, and teaching as a freelance artist. I returned to school to complete a two-year dance teaching diploma program at Canada’s National Ballet School. I trained extensively in the Vaganova and Royal Academy of Dance ballet training methods and had exposure to the Cecchetti and Balanchine methods of training. The program also included studies in human anatomy\, kinesiology\, and conditioning for dancers. Since moving to Boston in 2001\, I have become a certified Gyrotonic® and Gyrokinesis® instructor and those practices inform the way that I teach ballet. \nFinish this statement: I am passionate about teaching this style because…\nThere are always moments when all of the words\, steps\, and expectations disappear\, and dancers become one with the music\, and express themselves through movement. \nAccompanist\nDiran Heller \n\nContact Information\nContact Dean:\ndeanv@me.com | (617) 407-1266
URL:https://www.dancecomplex.org/event/intermediate-advanced-ballet-with-dean-vollick/2027-01-20/
LOCATION:Studio 3
CATEGORIES:Classes,Classes for Adults,Classes for Teens 16+
ATTACH;FMTTYPE=image/png:https://www.dancecomplex.org/wp-content/uploads/2026/02/16-9-TA-photos-for-website-dean-vollick.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270127T111500
DTEND;TZID=America/New_York:20270127T124500
DTSTAMP:20260908T180101Z
CREATED:20260908T180101Z
LAST-MODIFIED:20260908T180101Z
UID:10030888-1801048500-1801053900@www.dancecomplex.org
SUMMARY:Intermediate/Advanced Ballet with Dean Vollick
DESCRIPTION:Class begins with a thorough set of exercises at the barre that last from 30 to 45 minutes. Centre practice follows\, and may consist of a battement tendu exercise\, a battement jeté exercise\, a grand battement exercise\, small and/or large adage\, stationary turns\, traveling turns\, and petite and grand allegro enchaînement (small and big jumps). Classes are structured so that the dancer warms up their feet\, legs\, hips and upper body gradually. As class progresses there are more changes of weight and eventually\, sudden changes of direction. Live music is provided by a pianist\, that ranges from classical pieces to selections from ballet repertoire to improvisational contemporary music. \nCost: $20 Single Class | $15.00 barre | 5-class package $90.00 \n*NEW* The Dance Complex requires ALL visitors to have a Membership\, Guest Pass\, or $5 Day Pass to access the building. \nPlease register in studio with the class assistant\nAccepted Payments: Cash\, Check\, Venmo \n\nWhat is the legacy of the genre/form/style you are teaching?\nBallet originated in the Italian Renaissance courts around 1500 as large balls or spectacles that were performed by members of the royal court. The French king\, Louis XIV\, created the first academy and the positions\, steps\, and movements of the ballet were collected and codified. The spectacles began to be performed by artists that were trained in the academy\, originally as part of an opera\, and later as ballets that told a story through music\, mime\, and dance. Over the centuries ballet has influenced folk dance styles of many (mainly European) nations and\, more recently\, has been influenced by folk\, modern\, and contemporary forms of dance from all countries. \nWhat background\, training\, and or relationship do you have with this style/technique/class subject?\nI had a professional dance career that spanned more than twenty years and included company work in both ballet and contemporary companies as well as dancing\, choreographing\, and teaching as a freelance artist. I returned to school to complete a two-year dance teaching diploma program at Canada’s National Ballet School. I trained extensively in the Vaganova and Royal Academy of Dance ballet training methods and had exposure to the Cecchetti and Balanchine methods of training. The program also included studies in human anatomy\, kinesiology\, and conditioning for dancers. Since moving to Boston in 2001\, I have become a certified Gyrotonic® and Gyrokinesis® instructor and those practices inform the way that I teach ballet. \nFinish this statement: I am passionate about teaching this style because…\nThere are always moments when all of the words\, steps\, and expectations disappear\, and dancers become one with the music\, and express themselves through movement. \nAccompanist\nDiran Heller \n\nContact Information\nContact Dean:\ndeanv@me.com | (617) 407-1266
URL:https://www.dancecomplex.org/event/intermediate-advanced-ballet-with-dean-vollick/2027-01-27/
LOCATION:Studio 3
CATEGORIES:Classes,Classes for Adults,Classes for Teens 16+
ATTACH;FMTTYPE=image/png:https://www.dancecomplex.org/wp-content/uploads/2026/02/16-9-TA-photos-for-website-dean-vollick.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270203T111500
DTEND;TZID=America/New_York:20270203T124500
DTSTAMP:20260908T180101Z
CREATED:20260908T180101Z
LAST-MODIFIED:20260908T180101Z
UID:10030889-1801653300-1801658700@www.dancecomplex.org
SUMMARY:Intermediate/Advanced Ballet with Dean Vollick
DESCRIPTION:Class begins with a thorough set of exercises at the barre that last from 30 to 45 minutes. Centre practice follows\, and may consist of a battement tendu exercise\, a battement jeté exercise\, a grand battement exercise\, small and/or large adage\, stationary turns\, traveling turns\, and petite and grand allegro enchaînement (small and big jumps). Classes are structured so that the dancer warms up their feet\, legs\, hips and upper body gradually. As class progresses there are more changes of weight and eventually\, sudden changes of direction. Live music is provided by a pianist\, that ranges from classical pieces to selections from ballet repertoire to improvisational contemporary music. \nCost: $20 Single Class | $15.00 barre | 5-class package $90.00 \n*NEW* The Dance Complex requires ALL visitors to have a Membership\, Guest Pass\, or $5 Day Pass to access the building. \nPlease register in studio with the class assistant\nAccepted Payments: Cash\, Check\, Venmo \n\nWhat is the legacy of the genre/form/style you are teaching?\nBallet originated in the Italian Renaissance courts around 1500 as large balls or spectacles that were performed by members of the royal court. The French king\, Louis XIV\, created the first academy and the positions\, steps\, and movements of the ballet were collected and codified. The spectacles began to be performed by artists that were trained in the academy\, originally as part of an opera\, and later as ballets that told a story through music\, mime\, and dance. Over the centuries ballet has influenced folk dance styles of many (mainly European) nations and\, more recently\, has been influenced by folk\, modern\, and contemporary forms of dance from all countries. \nWhat background\, training\, and or relationship do you have with this style/technique/class subject?\nI had a professional dance career that spanned more than twenty years and included company work in both ballet and contemporary companies as well as dancing\, choreographing\, and teaching as a freelance artist. I returned to school to complete a two-year dance teaching diploma program at Canada’s National Ballet School. I trained extensively in the Vaganova and Royal Academy of Dance ballet training methods and had exposure to the Cecchetti and Balanchine methods of training. The program also included studies in human anatomy\, kinesiology\, and conditioning for dancers. Since moving to Boston in 2001\, I have become a certified Gyrotonic® and Gyrokinesis® instructor and those practices inform the way that I teach ballet. \nFinish this statement: I am passionate about teaching this style because…\nThere are always moments when all of the words\, steps\, and expectations disappear\, and dancers become one with the music\, and express themselves through movement. \nAccompanist\nDiran Heller \n\nContact Information\nContact Dean:\ndeanv@me.com | (617) 407-1266
URL:https://www.dancecomplex.org/event/intermediate-advanced-ballet-with-dean-vollick/2027-02-03/
LOCATION:Studio 3
CATEGORIES:Classes,Classes for Adults,Classes for Teens 16+
ATTACH;FMTTYPE=image/png:https://www.dancecomplex.org/wp-content/uploads/2026/02/16-9-TA-photos-for-website-dean-vollick.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270210T111500
DTEND;TZID=America/New_York:20270210T124500
DTSTAMP:20260908T180101Z
CREATED:20260908T180101Z
LAST-MODIFIED:20260908T180101Z
UID:10030890-1802258100-1802263500@www.dancecomplex.org
SUMMARY:Intermediate/Advanced Ballet with Dean Vollick
DESCRIPTION:Class begins with a thorough set of exercises at the barre that last from 30 to 45 minutes. Centre practice follows\, and may consist of a battement tendu exercise\, a battement jeté exercise\, a grand battement exercise\, small and/or large adage\, stationary turns\, traveling turns\, and petite and grand allegro enchaînement (small and big jumps). Classes are structured so that the dancer warms up their feet\, legs\, hips and upper body gradually. As class progresses there are more changes of weight and eventually\, sudden changes of direction. Live music is provided by a pianist\, that ranges from classical pieces to selections from ballet repertoire to improvisational contemporary music. \nCost: $20 Single Class | $15.00 barre | 5-class package $90.00 \n*NEW* The Dance Complex requires ALL visitors to have a Membership\, Guest Pass\, or $5 Day Pass to access the building. \nPlease register in studio with the class assistant\nAccepted Payments: Cash\, Check\, Venmo \n\nWhat is the legacy of the genre/form/style you are teaching?\nBallet originated in the Italian Renaissance courts around 1500 as large balls or spectacles that were performed by members of the royal court. The French king\, Louis XIV\, created the first academy and the positions\, steps\, and movements of the ballet were collected and codified. The spectacles began to be performed by artists that were trained in the academy\, originally as part of an opera\, and later as ballets that told a story through music\, mime\, and dance. Over the centuries ballet has influenced folk dance styles of many (mainly European) nations and\, more recently\, has been influenced by folk\, modern\, and contemporary forms of dance from all countries. \nWhat background\, training\, and or relationship do you have with this style/technique/class subject?\nI had a professional dance career that spanned more than twenty years and included company work in both ballet and contemporary companies as well as dancing\, choreographing\, and teaching as a freelance artist. I returned to school to complete a two-year dance teaching diploma program at Canada’s National Ballet School. I trained extensively in the Vaganova and Royal Academy of Dance ballet training methods and had exposure to the Cecchetti and Balanchine methods of training. The program also included studies in human anatomy\, kinesiology\, and conditioning for dancers. Since moving to Boston in 2001\, I have become a certified Gyrotonic® and Gyrokinesis® instructor and those practices inform the way that I teach ballet. \nFinish this statement: I am passionate about teaching this style because…\nThere are always moments when all of the words\, steps\, and expectations disappear\, and dancers become one with the music\, and express themselves through movement. \nAccompanist\nDiran Heller \n\nContact Information\nContact Dean:\ndeanv@me.com | (617) 407-1266
URL:https://www.dancecomplex.org/event/intermediate-advanced-ballet-with-dean-vollick/2027-02-10/
LOCATION:Studio 3
CATEGORIES:Classes,Classes for Adults,Classes for Teens 16+
ATTACH;FMTTYPE=image/png:https://www.dancecomplex.org/wp-content/uploads/2026/02/16-9-TA-photos-for-website-dean-vollick.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270217T111500
DTEND;TZID=America/New_York:20270217T124500
DTSTAMP:20260908T180101Z
CREATED:20260908T180101Z
LAST-MODIFIED:20260908T180101Z
UID:10030891-1802862900-1802868300@www.dancecomplex.org
SUMMARY:Intermediate/Advanced Ballet with Dean Vollick
DESCRIPTION:Class begins with a thorough set of exercises at the barre that last from 30 to 45 minutes. Centre practice follows\, and may consist of a battement tendu exercise\, a battement jeté exercise\, a grand battement exercise\, small and/or large adage\, stationary turns\, traveling turns\, and petite and grand allegro enchaînement (small and big jumps). Classes are structured so that the dancer warms up their feet\, legs\, hips and upper body gradually. As class progresses there are more changes of weight and eventually\, sudden changes of direction. Live music is provided by a pianist\, that ranges from classical pieces to selections from ballet repertoire to improvisational contemporary music. \nCost: $20 Single Class | $15.00 barre | 5-class package $90.00 \n*NEW* The Dance Complex requires ALL visitors to have a Membership\, Guest Pass\, or $5 Day Pass to access the building. \nPlease register in studio with the class assistant\nAccepted Payments: Cash\, Check\, Venmo \n\nWhat is the legacy of the genre/form/style you are teaching?\nBallet originated in the Italian Renaissance courts around 1500 as large balls or spectacles that were performed by members of the royal court. The French king\, Louis XIV\, created the first academy and the positions\, steps\, and movements of the ballet were collected and codified. The spectacles began to be performed by artists that were trained in the academy\, originally as part of an opera\, and later as ballets that told a story through music\, mime\, and dance. Over the centuries ballet has influenced folk dance styles of many (mainly European) nations and\, more recently\, has been influenced by folk\, modern\, and contemporary forms of dance from all countries. \nWhat background\, training\, and or relationship do you have with this style/technique/class subject?\nI had a professional dance career that spanned more than twenty years and included company work in both ballet and contemporary companies as well as dancing\, choreographing\, and teaching as a freelance artist. I returned to school to complete a two-year dance teaching diploma program at Canada’s National Ballet School. I trained extensively in the Vaganova and Royal Academy of Dance ballet training methods and had exposure to the Cecchetti and Balanchine methods of training. The program also included studies in human anatomy\, kinesiology\, and conditioning for dancers. Since moving to Boston in 2001\, I have become a certified Gyrotonic® and Gyrokinesis® instructor and those practices inform the way that I teach ballet. \nFinish this statement: I am passionate about teaching this style because…\nThere are always moments when all of the words\, steps\, and expectations disappear\, and dancers become one with the music\, and express themselves through movement. \nAccompanist\nDiran Heller \n\nContact Information\nContact Dean:\ndeanv@me.com | (617) 407-1266
URL:https://www.dancecomplex.org/event/intermediate-advanced-ballet-with-dean-vollick/2027-02-17/
LOCATION:Studio 3
CATEGORIES:Classes,Classes for Adults,Classes for Teens 16+
ATTACH;FMTTYPE=image/png:https://www.dancecomplex.org/wp-content/uploads/2026/02/16-9-TA-photos-for-website-dean-vollick.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270224T111500
DTEND;TZID=America/New_York:20270224T124500
DTSTAMP:20260908T180101Z
CREATED:20260908T180101Z
LAST-MODIFIED:20260908T180101Z
UID:10030892-1803467700-1803473100@www.dancecomplex.org
SUMMARY:Intermediate/Advanced Ballet with Dean Vollick
DESCRIPTION:Class begins with a thorough set of exercises at the barre that last from 30 to 45 minutes. Centre practice follows\, and may consist of a battement tendu exercise\, a battement jeté exercise\, a grand battement exercise\, small and/or large adage\, stationary turns\, traveling turns\, and petite and grand allegro enchaînement (small and big jumps). Classes are structured so that the dancer warms up their feet\, legs\, hips and upper body gradually. As class progresses there are more changes of weight and eventually\, sudden changes of direction. Live music is provided by a pianist\, that ranges from classical pieces to selections from ballet repertoire to improvisational contemporary music. \nCost: $20 Single Class | $15.00 barre | 5-class package $90.00 \n*NEW* The Dance Complex requires ALL visitors to have a Membership\, Guest Pass\, or $5 Day Pass to access the building. \nPlease register in studio with the class assistant\nAccepted Payments: Cash\, Check\, Venmo \n\nWhat is the legacy of the genre/form/style you are teaching?\nBallet originated in the Italian Renaissance courts around 1500 as large balls or spectacles that were performed by members of the royal court. The French king\, Louis XIV\, created the first academy and the positions\, steps\, and movements of the ballet were collected and codified. The spectacles began to be performed by artists that were trained in the academy\, originally as part of an opera\, and later as ballets that told a story through music\, mime\, and dance. Over the centuries ballet has influenced folk dance styles of many (mainly European) nations and\, more recently\, has been influenced by folk\, modern\, and contemporary forms of dance from all countries. \nWhat background\, training\, and or relationship do you have with this style/technique/class subject?\nI had a professional dance career that spanned more than twenty years and included company work in both ballet and contemporary companies as well as dancing\, choreographing\, and teaching as a freelance artist. I returned to school to complete a two-year dance teaching diploma program at Canada’s National Ballet School. I trained extensively in the Vaganova and Royal Academy of Dance ballet training methods and had exposure to the Cecchetti and Balanchine methods of training. The program also included studies in human anatomy\, kinesiology\, and conditioning for dancers. Since moving to Boston in 2001\, I have become a certified Gyrotonic® and Gyrokinesis® instructor and those practices inform the way that I teach ballet. \nFinish this statement: I am passionate about teaching this style because…\nThere are always moments when all of the words\, steps\, and expectations disappear\, and dancers become one with the music\, and express themselves through movement. \nAccompanist\nDiran Heller \n\nContact Information\nContact Dean:\ndeanv@me.com | (617) 407-1266
URL:https://www.dancecomplex.org/event/intermediate-advanced-ballet-with-dean-vollick/2027-02-24/
LOCATION:Studio 3
CATEGORIES:Classes,Classes for Adults,Classes for Teens 16+
ATTACH;FMTTYPE=image/png:https://www.dancecomplex.org/wp-content/uploads/2026/02/16-9-TA-photos-for-website-dean-vollick.png
END:VEVENT
END:VCALENDAR