Students can expect a transformative dance experience that immerses them in the art of belly dance while connecting with the elements of nature and the body’s energy centers. They will explore foundational belly dance techniques, from serpentine undulations to fiery hip locks and mesmerizing shimmies, refining their skills and deepening their understanding of this ancient art form. Through fluid sequences and rhythmic patterns, participants will not only enhance their grace and fluidity but also strengthen core muscles, particularly in the pelvis. This workshop creates a joyful and supportive space for embracing the blissful energy of dance.
Cost: $45 for Individuals | $79 for 2 People via Eventbrite | $60 @ Door Cash or Venmo
REGISTER HEREAccepted Payments: Cash, Credit Card through event registration platform
What is the legacy of the genre/form/style you are teaching?
The more authentic name for this dance form is raqs sharqui (dance of the East) and its roots are in the Middle and Near East, primarily Egypt and Turkey. This dance form was brought to the US and Europe at the turn of the century, but not widely performed or taught until the 1950’s/60’s when the belly dance craze hit the states. The American cabaret style of belly dance is based on the legacy passed down from notable American teachers/performers who blended Middle Eastern influences with their innovations and movement styles from their dance backgrounds
What background, training, and or relationship do you have with this style/technique/class subject?
I was drawn to Middle Eastern belly dance because of the graceful movements and the improvisational style in which dancers express the haunting melodies and rhythms through their unique personality. Since 1991, I have been blessed to study with some of the great Egyptian, Turkish, folkloric, American Cabaret, and tribal fusion instructors. I acquired knowledge and skills in performance styles such as raqs Sharqi and modern Egyptian as well as traditional folk movements and dances from the Middle and NearEast. My background also includes training in West African,Afro-Carribean, yoga, and other movement styles. I have dedicated so much of my life to this art form and want to pass on my knowledge and experience. I am passionate about this dance form because I love the music, the movements, and the magic it evokes.
Finish this statement: I am passionate about teaching this style because…
…I am passionate about this dance form because I love the music, the movements, and the magic it evokes.
How can students learn more about this offering?
Website: Joharaboston.com
Contact Information
Contact:
johara@joharaboston.com